This is a photograph of the East window above the altar-table at Church. It is a piece of religious art I both love and hate. I hate it because I'm not very keen on Victorian depictions of the last supper, on the whole, because they tend to be quite miserable and Jesus is always pale and English-looking. The disciples are all bearded men, dressed wholly inappropriately, and are also pale and English-looking. But, there's always a "but" with this sort of thing for me: I love this stained glass window because it is quite unusual. It's a bit small to see the full detail in the photograph, but one of the disciples has a blackened halo. Often on a Sunday morning when I look at Judas I feel quite sorry for him in this image: permanently marked out by the artists as the betrayer, one whose holiness and faithfulness is called into question so very publicly every week. As if to make it more obvious, the artist has represented Judas facing away from Jesus, and away fro...